'Orla and Red Tulips'

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by kate newington

Acrylic on gesso board

h: 60 w: 50 d: 3 (cms).

I used sections from some of my small collage still lifes as reference for this painting. I wanted to paint on gesso board as I like the crisp edges that you can get with paint on gesso – you can achieve a graphic quality and it is also a resistant hard surface (which I prefer to canvas). I have for some years made collages that are so detailed that they look like paintings and with this picture I wanted to reverse that idea by making a painting that looks, in some areas, like collage. I particularly relate to the still life work of West Country artists, past and present, who flatten shapes and experiment with textures, colour, shape and the drawn line (often in still lifes) in a way that combines abstraction with figuration.

£650 (As exhibited.)

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'Blown Away Blooms'

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by kate newington

Acrylic on gesso board

h: 60 w: 60 d: 3 (cms).

I used sections from some of my small collage still lifes as reference for this painting. I wanted to paint on gesso board as I like the crisp edges that you can get with paint on gesso – you can achieve a graphic quality and it is also a resistant hard surface (which I prefer to canvas). I have for some years made collages that are so detailed that they look like paintings and with this picture I wanted to reverse that idea by making a painting that looks, in some areas, like collage. I particularly relate to the still life work of West Country artists, past and present, who flatten shapes and experiment with textures, colour, shape and the drawn line (often in still lifes) in a way that combines abstraction with figuration.

£650 (As exhibited.)

Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.

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'Birdland'

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by kate newington

Acrylic on gesso board

h: 26 w: 26 d: 3 (cms).

I used sections from some of my small collage still lifes as reference for this painting. I wanted to paint on gesso board as I like the crisp edges that you can get with paint on gesso – you can achieve a graphic quality, and it is also a resistant hard surface (which I prefer to canvas). I have for some years made collages that are so detailed that they look like paintings and with this picture I wanted to reverse that idea by making a painting that looks, in some areas, like collage. I particularly relate to the still life work of West Country artists, past and present, who flatten shapes and experiment with textures, colour, shape and the drawn line (often in still lifes) in a way that combines abstraction with figuration.

Enquire about this artwork