Money plant in winter light by nicola stratton tyler
Money plant in winter light by nicola stratton tyler
1 / 224
By nicola stratton tyler
oil on panel
h: 25 w: 20 d: 1 (cms).
Painted from life. My first painting of the new year. The light was cold and bright and streaming through the window beside me. The shapes became almost abstracted.
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By nicola stratton tyler
oil on gesso panel
h: 25 w: 20 d: 1 (cms).
Painted from life. I was awarded a residency at an artist's house in north Norfolk which was full of geraniums, the old gnarly sort. I painted a whole series of these, this being the first.
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Under the crane, diffused light by nicola stratton tyler
Under the crane, diffused light by nicola stratton tyler
3 / 224
By nicola stratton tyler
oil on gesso panel
h: 25 w: 25 d: 1 (cms).
Another study from sketches undertaken under the cranes in a small ferry boat which kindly passed underneath for me. From a body of plein air works based on Felixstowe and Ipswich docks.
£425
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By sara myers
Bronze with a granite base
h: 35 w: 18 d: 13 (cms).
Orpheus. Irresistible music of sorrow and yearning. Music to open the hardest of hearts. Music transporting beyond the very final boundary, down into Eternity
£3760
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By sara myers
Bronze with a granite base
h: 33 w: 24 d: 16 (cms).
Eurydice. Beauty and grace. Lost in dance with nymphs and forest’s open softness
£3225
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By sara myers
Portland Stone and portland stone jesmonite
h: 90 w: 25 d: 25 (cms).
Time and Memory To see and know the past. The form sense of the ancient framed within the power of today’s beauty. Man within woman across the aeons. Echoing through ages. Memories shaped across time. the corners of the base have knocks
£2450
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By sara myers
Coloured white marble jesmonite on York Stone
h: 63 w: 38 d: 46 (cms).
Struggling through the frame of being. Against the weight of earthly thoughts. Pushing upwards. Upwards toward unbound truth. Against the arc of gravity.
£2350
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By jean noble RI
Acrylic on paper
h: 38 w: 38 d: 1 (cms).
painting inspired from in situ sketches of clifftops on 640gsm Saunders Waterford Rough paper using Golden Open acrylic paints
£1200
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By jean noble RI
Acrylic on paper
h: 26 w: 58 d: 1 (cms).
inspired by the reflections around the Thames and the many boats sketches I have made. Painted with Golden Open acrylics on 640gsm Saunders Waterford Rough paper.
£1750
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By jean noble RI
Acrylic on paper
h: 26 w: 58 d: 1 (cms).
a painting worked up from sketches made of boats on the Thames using Golden Open acrylics on 640gsm Saunders Waterford Rough paper
£1750
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By Annabel Fairfax SWA
oil
h: 76 w: 76 d: 2 (cms).
vibrant square oil painting
£3600
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By Annabel Fairfax SWA
oil
h: 40 w: 40 d: 1 (cms).
oil
£1650
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By penelope timmis ARBSA. SWA.
Ink, crayon and acrylic
h: 60 w: 60 d: 1 (cms).
Happy is painted on white board and set within a black wooden bespoke frame behind glass
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By penelope timmis ARBSA. SWA.
Ink, crayon and acrylic
h: 95 w: 60 d: 1 (cms).
Flight is painted on white board and set within a bespoke white wooden bespoke frame behind glass
£795
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Portrait of Arleen - Artist by catherine inglis SWA
Portrait of Arleen - Artist by catherine inglis SWA
15 / 224
By catherine inglis SWA
Soft Pastel
h: 51 w: 35 d: 3 (cms).
£2500
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By Christine Roychowdhury
Oil on canvas
h: 120 w: 170 d: 2 (cms).
Rivers of Blood, a diptych. Dance is frequently used by artists to talk about the movement through life . I have tried to use it here to talk about the transition from boyhood to adulthood in almost a moment. A portrait of two people and the relationship between a mother and a son. As a parent, a mother you raise them up and show them the world, hoping to bring them the strength to face whatever is thrown at them , because life always has challenges and trials no matter what we hope for or how hard we try to protect our children.They become their own selves . Rivers of blood refers to the ties which bind us to our forefathers and descendants through time and life.
£3000
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By Christine Roychowdhury
Oil on canvas
h: 120 w: 75 d: 2 (cms).
We are all on journeys in life some are literal and some are metaphorical. I tried to capture the singularity of the moment within a public space . A hidden world of experiences which exist within each person’s journey.The journey of the invisible women.
£3000
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By Christine Roychowdhury
Oil on Canvas
h: 150 w: 120 d: 2 (cms).
Pink is a controversial colour commonly associated with femininity soft and weak .Employed with opposing male dressing rooms to gain advantage.Tenderhearted, weak and watery. I wanted to claim it back as a colour of strength positivity and endurance. I was exploring the meaning of the colour when the Barbie film came out and once again became an apparent symbol of the female.
£3000
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By chrissie birchall PVPSWA
Oil
h: 34 w: 40 d: 2 (cms).
Kitchen scene painted in France, with items from the local market.
£1500
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By chrissie birchall PVPSWA
Oil
h: 30 w: 38 d: 2 (cms).
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I Know This Is My Dress by amy heath BA(Hons) MA SWA
I Know This Is My Dress by amy heath BA(Hons) MA SWA
21 / 224
By amy heath BA(Hons) MA SWA
oil on canvas
h: 169 w: 92 d: 2 (cms).
The dress shows a woman as a puppet with strings. It's about keeping up appearances, someone/the patriarchy dictating one's movements, and presenting a false image, but deep down wanting to be a 'real' person, not an act. The portrait above shows the real woman; this is her story, her dress, what she wears. It is based and influenced by a theater set and the story of Pinocchio including the blue fairy and Gepetto.
£2000
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By amy heath BA(Hons) MA SWA
oil on canvas
h: 91 w: 61 d: 2 (cms).
'Garden' is about freedom, exploration, flight, and female empowerment. The text 'I will live by my own policies' is taken from a Sinead O'Connor song 'The Emporer's New Clothes'. It is a garden of magic, colour, and strange little creatures; about creating whatever kind of life you want.
£900
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By amy heath BA(Hons) MA SWA
watercolour on paper
h: 150 w: 57 d: 1 (cms).
'Rise Up' was inspired by the song by Andra Day; it began from the bottom, about the oppression of women and mother and the recent overturning of Roe v Wade in the US, making abortions illegal in some states. That was my beginning point, about being stepped on and controlled. I thought of Dante's Inferno, and the rising up from a hellish place. The top figure was inspired by Leonora Carrington's painting 'The Giantess', I wanted her to be a strong figure with birds coming out from her soul into flight.
£1500
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By diane urwin
Acrylic
h: 40 w: 40 d: 2 (cms).
£850
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By diane urwin
Acrylic
h: 40 w: 40 d: 2 (cms).
£850
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By diane urwin
Acrylic
h: 40 w: 30 d: 2 (cms).
£750
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By diane urwin
Acrylic
h: 40 w: 30 d: 2 (cms).
£750
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Huddersfield Outdoor Market by elizabeth nast
Huddersfield Outdoor Market by elizabeth nast
28 / 224
By elizabeth nast
Acrylic on Panel
h: 41 w: 51 d: 2 (cms).
£1250.00
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By elizabeth nast
Acrylic on Panel
h: 42 w: 30 d: 2 (cms).
£750.00
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By elizabeth nast
Acrylic on Panel
h: 30 w: 15 d: 2 (cms).
£675.00
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By elizabeth nast
Watercolour on Watercolour Board
h: 25 w: 30 d: 1 (cms).
£925.00
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By Gina Parr
oi, charcoal and acrylic on canvas
h: 31 w: 31 d: 3 (cms).
Alchemy II. From the series "Love or money" about loss and subsequent legacy, a collection of small paintings produced whilst working over old and unacceptable work painted early in the Artist's career. plural alchemies : the medieval chemical science and speculative philosophy whose aims were the transmutation of the base metals into gold, the discovery of a universal cure for diseases, and the discovery of a means of indefinitely prolonging life.
£995
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By Gina Parr
oil, charcoal and acrylic on canvas
h: 40 w: 40 d: 3 (cms).
Alchemy IX. From the series "Love or money" about loss and subsequent legacy, a collection of small paintings produced whilst working over old and unacceptable work painted early in the Artist's career. plural alchemies : the medieval chemical science and speculative philosophy whose aims were the transmutation of the base metals into gold, the discovery of a universal cure for diseases, and the discovery of a means of indefinitely prolonging life.
£1100
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By sera knight SWA
Mixed Media with Acrylics and Collage
h: 54 w: 36 d: 1 (cms).
I like creating paintings from daily busy life. London street scenes are C among my favourites.
£950
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By sera knight SWA
Mixed Media with Acrylics and Collage
h: 54 w: 36 d: 1 (cms).
I like to paint scenes from busy daily life and especially from London. I like slight abstraction and try to achieve it using college where you can’t control the end results as much.
£950
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Buses, Taxis and Red Phonebox by sera knight SWA
Buses, Taxis and Red Phonebox by sera knight SWA
36 / 224
By sera knight SWA
Mixed Media withAcrylics and Collage
h: 36 w: 54 d: 1 (cms).
I like to paint scenes from busy daily life and especially from London. I like slight abstraction and try to achieve it using college where you can’t control the end results as much.
£950
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By sera knight SWA
Mixed Media with Acrylics and Collage
h: 54 w: 36 d: 1 (cms).
SWA 2024 exhibition I like to paint scenes from busy daily life and especially from London. I like slight abstraction and try to achieve it using college where you can’t control the end results as much.
£950
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By daisy denning ASWA
Oil on Linen
h: 60 w: 50 d: 2 (cms).
£3000
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By daisy denning ASWA
Oil on Linen
h: 60 w: 50 d: 2 (cms).
£3000
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By morag stevenson DA SWA
Acrylic on board
h: 15 w: 15 d: 1 (cms).
Still life
£350
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Chinoiserie and Pears by morag stevenson DA SWA
Chinoiserie and Pears by morag stevenson DA SWA
41 / 224
By morag stevenson DA SWA
Acrylic on board
h: 60 w: 60 d: 2 (cms).
Still life
£795
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By morag stevenson DA SWA
Acrylic on board
h: 60 w: 60 d: 2 (cms).
Still life
£725
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By Laura Howarth SWA SWA
oil and cold wax medium
h: 31 w: 31 d: 1 (cms).
Framed in white wood
£750
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By Laura Howarth SWA SWA
oil and cold wax medium with pigments
h: 28 w: 26 d: 1 (cms).
framed in white wood
£750
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By mary lace SWA
Oil on linen
h: 45 w: 30 d: 3 (cms).
The ‘arrangement’ of buds and flower heads came from those scraps that fall off a bunch (or two bunches in this case) of shop bought flowers. I particularly liked the vertical of the tall freesia stem and the line of buds curving right around the top of the commercial spice jar. I wanted to keep the background simple and geometric, but Picasso’s signature on the spine of the book was too much of a linear gift to ignore. Likewise, the bookmark, top left was a useful accident that needed to be used
£815
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By mary lace SWA
Oil on linen
h: 60 w: 30 d: 3 (cms).
In Manet’s preliminary study for his later and larger painting, “The Balcony”, he uses the same two female models: Berthe Morisot and the less famous, Jenny Claus, a violinist. In the study it is Jenny who takes centre stage but later it is Morisot who is seated and all important. Consequently, while attracted by the freedom of the study, I also wanted to pay tribute to prim overlooked Jenny. So with flowers and a new composition, dominated by verticals, horizontals and criss crossing diagonals, she plays again the main role.
£850
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By christine watson PS
pastel on paper
h: 59 w: 42 d: 1 (cms).
£650
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By christine watson PS
pastel on paper
h: 59 w: 42 d: 1 (cms).
£650
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By sheila goodman PS
pastel
h: 33 w: 43 d: 10 (cms).
£825
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Huts in the Dunes, Hunstanton by sheila goodman PS
Huts in the Dunes, Hunstanton by sheila goodman PS
50 / 224
By sheila goodman PS
pastel
h: 25 w: 41 d: 10 (cms).
£775
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By sheila goodman PS
pastel
h: 29 w: 29 d: 10 (cms).
£650
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Valerchicks. Rubik’s cube by svetlana kornilova
Valerchicks. Rubik’s cube by svetlana kornilova
52 / 224
By svetlana kornilova
oil, linen canvas, wooden stretcher
h: 20 w: 20 d: 2 (cms).
£2000
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Valerchicks. Summer Boy by svetlana kornilova
Valerchicks. Summer Boy by svetlana kornilova
53 / 224
By svetlana kornilova
oil, linen canvas, wooden stretcher
h: 20 w: 20 d: 2 (cms).
£2000
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By maureen davies
mixed
h: 42 w: 48 d: 1 (cms).
Areas of collage and melted wax overlayed with acrylic ink and watercolour
£995.00
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By maureen davies
mixed
h: 57 w: 62 d: 1 (cms).
Areas of collage overlayed with inks and gouache . Pastel details
£1200.00
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By miranda fontaine
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By miranda fontaine
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By Trish Claridge SWA
Egg tempera on Gessoed Board
h: 30 w: 34 d: 1 (cms).
£980
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By kathy prest Prest
Bronze resin, stainless steel on granite
h: 88 w: 37 d: 25 (cms).
'Earth Dancer' portrays the potential for positive change and the capacity of individuals to make a meaningful difference in the world. The strength and grace of a single person are symbolized by the image of a dancer delicately holding up a stainless steel ball, representing the Earth itself.
£5200
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By kathy prest Prest
Bronze on granite
h: 116 w: 54 d: 35 (cms).
'Grace' portrays the elegance of a dancer in a delicate pose capturing the essence of a dancer's spirit as she rehearses her performance
£13500
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By elizabeth makinbradshaw
Mixed media on paper
h: 42 w: 55 d: 1 (cms).
A collection of five wild rare orchids
£1300
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By julie collins
Acrylic & Watercolour
h: 48 w: 43 d: 1 (cms).
£1450
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By julie collins
Acrylic & Watercolour
h: 41 w: 38 d: 1 (cms).
£1295
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I'll bring you flowers in the pouring rain by julie collins
I'll bring you flowers in the pouring rain by julie collins
64 / 224
By julie collins
Acrylic & Watercolour
h: 52 w: 52 d: 1 (cms).
£1650
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By julie collins
Acrylic & Watercolour
h: 12 w: 12 d: 1 (cms).
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By elizabeth makinbradshaw
Mixed media on paper
h: 30 w: 40 d: 1 (cms).
three fish from a Cornish fishing boat ready to cook on a mosaic plate
£950
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Amaryllis with Gold orange by sandra summers SWA SBA fellow
Amaryllis with Gold orange by sandra summers SWA SBA fellow
67 / 224
By sandra summers SWA SBA fellow
Watercolour & Gouache
h: 51 w: 51 d: 2 (cms).
2cm w x 3cm Deep stepped Black Frame 2mm None Reflective Tru Vue Glass
£575
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By liz watts SWA
: Porcelain with platinum, gold and mother of pearl lustre
h: 29 w: 41 d: 41 (cms).
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By liz watts SWA
Bronze
h: 13 w: 25 d: 25 (cms).
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By angela brittain SWA
OIl
h: 60 w: 60 d: 2 (cms).
Three sisters who are very different in character but united in their desire to make something of themselves. The oldest sister has left home but is still a great influence on the other two
£1250
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By angela brittain SWA
OIl
h: 30 w: 30 d: 1 (cms).
A quiet moment of indulgent guitar playing with a more dubious reaction from those in earshot
£750
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By angela brittain SWA
OIl
h: 30 w: 30 d: 1 (cms).
£750
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By lucy marks AROI
Gouache
h: 13 w: 18 d: 1 (cms).
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Talland Beach Near Polperro by lucy marks AROI
Talland Beach Near Polperro by lucy marks AROI
74 / 224
By lucy marks AROI
Gouache
h: 13 w: 18 d: 1 (cms).
£350
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Talland Beach Yellow Parasol by lucy marks AROI
Talland Beach Yellow Parasol by lucy marks AROI
75 / 224
By lucy marks AROI
Oil
h: 23 w: 30 d: 1 (cms).
£500
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By lucy marks AROI
Oil
h: 23 w: 30 d: 1 (cms).
£500
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By Catherine Beale SWA SWA
Watercolours on board
h: 53 w: 43 d: 1 (cms).
£950
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Joanna in the RWA Drawing School by Catherine Beale SWA SWA
Joanna in the RWA Drawing School by Catherine Beale SWA SWA
78 / 224
By Catherine Beale SWA SWA
Watercolours on Aquabord
h: 41 w: 31 d: 1 (cms).
£950
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By penelope timmis ARBSA. SWA.
Acrylic
h: 75 w: 75 d: 2 (cms).
This painting is on canvas set within a bespoke light grey frame
£1200
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By suzanne gibbs
Oil on canvas
h: 42 w: 96 d: 4 (cms).
As an artist, I felt compelled to create the following works to help process my own thoughts, anxiety and acceptance of Mum’s journey with dementia. This creative release also gave me the opportunity to explore and share the experience of my mum, facing the cruel, progressive disease.
£2400
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By marjorie collins
Watercolour
h: 37 w: 39 d: 1 (cms).
£750
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By michele ashby PS
Graphite
h: 14 w: 9 d: 1 (cms).
£400
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P15-1247 Augusta Savage.jpg by michele ashby PS
P15-1247 Augusta Savage.jpg by michele ashby PS
83 / 224
By michele ashby PS
Graphite
h: 14 w: 9 d: 1 (cms).
£400
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By michele ashby PS
Graphite
h: 14 w: 9 d: 1 (cms).
£400
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By michele ashby PS
Graphite
h: 14 w: 9 d: 1 (cms).
£400
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By michele ashby PS
Graphite
h: 14 w: 9 d: 1 (cms).
£400
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By michele ashby PS
Graphite
h: 14 w: 9 d: 1 (cms).
£400
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By roya khalili SWA
Oil on canvas
h: 82 w: 60 d: 2 (cms).
Chant of the Liberators I speak the chant of the many I sing the unspoken song of liberty This united sound will walk through and move past those dark and lonely alleyways Together we dare to breathe a new life We open windows to new freedoms We wash away the dams of distress We prepare ourselves to be born again
£2500
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“Reflections” Cromford Canal, Derbyshire by carol hill SWA RBSA
“Reflections” Cromford Canal, Derbyshire by carol hill SWA RBSA
89 / 224
By carol hill SWA RBSA
Oil
h: 71 w: 89 d: 2 (cms).
This was painted in the winter and the slightly misty weather gave the reflections a dramatic image on the canal
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By kathy barker SWA
Oil on Linen
h: 60 w: 50 d: 2 (cms).
£8500
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By kathy barker SWA
charcoal on paper
h: 46 w: 35 d: 1 (cms).
£950
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By roya khalili SWA
Oil on canvas
h: 60 w: 50 d: 1 (cms).
Patience I sit here quietly I sit in patience I do not tremble to the whisper of the shadows I do not bend to the threatening gaze of the aggressors My spirit is an eternal seed of freedom The green on my garment is a steadfast soil of growth and renewal I sit right here in patience I sit here quietly.
£1800
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Charity Shop Glasses. Sloe Gin by diana boanas
Charity Shop Glasses. Sloe Gin by diana boanas
93 / 224
By diana boanas
Watercolour
h: 48 w: 32 d: 2 (cms).
£700
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Charity Shop Glasses. Green teapot by diana boanas
Charity Shop Glasses. Green teapot by diana boanas
94 / 224
By diana boanas
Watercolour
h: 50 w: 33 d: 2 (cms).
£700
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Charity Shop Glasses . Two miniature white by diana boanas
Charity Shop Glasses . Two miniature white by diana boanas
95 / 224
By diana boanas
Watercolour
h: 53 w: 35 d: 2 (cms).
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By carol hill SWA RBSA
Watercolour
h: 43 w: 61 d: 1 (cms).
The snow was a shock. Spring was around the corner. Going for a walk in a local wood, I liked the uneven ground with shadows in the snow. A robin came close and landed on a twig close by.
£950
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By jane gibson
clay
h: 24 w: 20 d: 9 (cms).
The work is fumed in a pit firing so unglazed and will not hold water.
£200
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By jane gibson
Clay and Kintsugi
h: 29 w: 30 d: 6 (cms).
Fumed in a pit firing
£210
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Teasels by the lake Chartwell by philomena davidson PPRSS RWA
Teasels by the lake Chartwell by philomena davidson PPRSS RWA
99 / 224
By philomena davidson PPRSS RWA
Watercolour
h: 30 w: 45 d: 1 (cms).
Illustrative watercolour in the autumn. One of a series of works titled Chartwell.
£575.00
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Chartwell Gardens by philomena davidson PPRSS RWA
Chartwell Gardens by philomena davidson PPRSS RWA
100 / 224
By philomena davidson PPRSS RWA
Watercolour
h: 30 w: 45 d: 1 (cms).
Illustrative watercolour in the summer. One of a series of works titled Chartwell.
£575.00
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