Saxophone Serenade by anne blankson-hemans SWA
Saxophone Serenade by anne blankson-hemans SWA
201 / 224
By anne blankson-hemans SWA
Oils On. Board
h: 80 w: 60 d: 1 (cms).
£1575
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L is for the way you look at me by kayla martell
L is for the way you look at me by kayla martell
202 / 224
By kayla martell
Oil
h: 40 w: 30 d: 1 (cms).
£650
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By kayla martell
Oil
h: 45 w: 35 d: 1 (cms).
£800
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Whatever our souls are made of by kayla martell
Whatever our souls are made of by kayla martell
204 / 224
By kayla martell
Oil
h: 40 w: 40 d: 1 (cms).
£740
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The wildflower meadow by rosemary miller PVPSWA
The wildflower meadow by rosemary miller PVPSWA
205 / 224
By rosemary miller PVPSWA
Watercolour/acrylic
h: 45 w: 24 d: 1 (cms).
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By bernadette doolan
Oil
h: 30 w: 25 d: 3 (cms).
£1100
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By justine lois thorpe
oil on panel
h: 26 w: 106 d: 2 (cms).
This piece conveys the coastal elements and their interactions.
£1100
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By rosemary miller PVPSWA
Watercolour/acrylic
h: 30 w: 29 d: 1 (cms).
£600
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By rosemary miller PVPSWA
Watercolour/Acrylic
h: 29 w: 34 d: 1 (cms).
£600
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By bernadette doolan
oil
h: 10 w: 10 d: 2 (cms).
£200
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By bernadette doolan
oil gold leaf
h: 10 w: 10 d: 2 (cms).
£200
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By victoria perloff
Acrylic
h: 68 w: 49 d: 1 (cms).
£1000
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By mary pelham
acrylic
h: 27 w: 22 d: 1 (cms).
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By mary pelham
acrylic
h: 28 w: 28 d: 1 (cms).
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By mary pelham
watercolour
h: 31 w: 22 d: 1 (cms).
£500.00
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Arnold with a Gold Earring by svetlana semenova
Arnold with a Gold Earring by svetlana semenova
216 / 224
By svetlana semenova
Oil on panel
h: 42 w: 30 d: 1 (cms).
In my portrait paintings, I strive to delicately render the likeness and essence of my subjects, weaving my vision into each. In this portrait of Arnold, the gold earring and buttons serve as captivating accents. The deliberate gaze away adds a layer of mystery and depth to the composition, while Arnold’s figure emerges into the light against a contrasting background, creating an interplay of light and shadow.
£1500
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By svetlana semenova
Pastel on hand-toned paper
h: 45 w: 35 d: 1 (cms).
For portraiture, particularly works that do not depict the full figure, I strive to connect the viewer immediately to the thoughts and emotions of the subject. In this pastel drawing, the subject's eyes and posture strike a confident and aspirational tone, evoking a sense of optimism for the future, all captured in a singular moment.
£1250
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By ann blockley RI
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By justine lois thorpe
Oil paint plaster sand, grit, resin on chunky board
h: 12 w: 64 d: 2 (cms).
Using layers Paint and other medium creative other textures . Reflecting on the coastal seascape of Cornwall.
£625
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Next Generation - Enchantment by bridget dumper
Next Generation - Enchantment by bridget dumper
220 / 224
By bridget dumper
Various Metals, various wires,glass, solder.
h: 200 w: 200 d: 200 (cms).
Needs large access entry 2 metres x 2 metres
£20000
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By justine lois thorpe
oil on Board
h: 14 w: 73 d: 2 (cms).
recycle wood gives a organic textures .Working outside with the coastal elements give a sense of place.
£725
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By judith barton
Oil on Panel
h: 85 w: 117 d: 3 (cms).
£3500
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By cathy read SWA
Watercolour and Acrylic Ink
h: 63 w: 43 d: 1 (cms).
The sky doesn’t look like a summer sky. There’s a brooding, intense, feel, as if there’s a gathering storm. Yet all is sunlight and sweetness everywhere else. Candy bright colours mingle in delicious shades. almost good enough to eat. You can practically taste the flavours. People watching in art. People often hang around iconic buildings. Landmarks make excellent meeting places, and there will often be figures loitering. They may look suspicious but their intentions are innocent. In the lower centre of the painting, a lone figure stands. The details are is ambiguous and it’s unclear whether they are standing still on one leg, or pacing in the entrance. Creating stories about the mysterious people in painting? Do you enjoy stories? I often make up tales about people when I paint them. I wonder what their lives are like. I think this figure is a woman, but the painting makes that unclear and I’m choosing not to check. The uncertainty appeals. The person is framed by the archway of the main gates to the V and A. Why are they there? Sunlight cast shadows on the stone behind a metal name sign, obscuring it’s letter, which would otherwise be clear. More strange shadows imply sunlight, like the green shadow of a figure standing to the right of the stone column. Just out of the picture. Some shadows are missing, like under the arch, near the Victoria of the sign . This results in a distortion of perspective. The picture feels like a paper sculpture that’s beginning to unravel. More figures, on the right, appear to be entering the gateway, Are they in a queue to enter some part the museum? You may know, but not knowing allows you to speculate and make up stories, and I like stories. And what of our central lone figure? Who are they waiting for? Have they been waiting long? What are they going to do and see when they meet? So many possible answers…
£961
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By cathy read SWA
Watercolour and Acrylic Ink
h: 59 w: 52 d: 1 (cms).
At the end of a long day a Library attendant is closing the Giant doors and is waiting for the last few visitors to depart before he secures them for the night. He's weary but courteous as he performs his duty as Keeper of the Gates at the British Library, a repository of knowledge in book form.
£1053
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