By patricia clements
oil on stretched canvas
h: 61 w: 76 d: 2 (cms).
£1100
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Year of the Dragon still life by patricia clements
Year of the Dragon still life by patricia clements
102 / 224
By patricia clements
Pastel on Archival paper
h: 76 w: 56 d: 1 (cms).
£1300
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By caroline de peyrecave
Oil on canvas
h: 60 w: 50 d: 5 (cms).
£5200
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By chloe harris ASWA
Oil Painting
h: 42 w: 30 d: 1 (cms).
An Asian city center look, temples by the office block. Too cool SINGAPORE IMG 2: walkers IMG 3: Temple roof close up
£1400
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By chloe harris ASWA
Monoprint
h: 42 w: 29 d: 1 (cms).
£500
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By ruth mcdonald
Collagraph print with gold leaf
h: 51 w: 62 d: 2 (cms).
An overworked collagraph print of the sunset over the sea in Kent
£200
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By linda zelin
Acrylic
h: 20 w: 25 d: 1 (cms).
£375
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By ali mulroy
Oil on canvas
h: 40 w: 30 d: 3 (cms).
£3400
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By ali mulroy
Oil on board
h: 40 w: 40 d: 1 (cms).
£3400
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Point to Point 1 by annabeli thornton BA, SWA, ASEA
Point to Point 1 by annabeli thornton BA, SWA, ASEA
110 / 224
By annabeli thornton BA, SWA, ASEA
Acrylic/oil
h: 61 w: 61 d: 5 (cms).
Point to Point 1 is based on my visit to the races. I wanted to capture speed, colour. The turn of speed and bend as the horses turn sharply for the next fence.
£800
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Point 2 Point 2 by annabeli thornton BA, SWA, ASEA
Point 2 Point 2 by annabeli thornton BA, SWA, ASEA
111 / 224
By annabeli thornton BA, SWA, ASEA
Acrylic/oil
h: 61 w: 61 d: 5 (cms).
Point to Point 2 is based on my visit watching the races. I wanted to capture the speed, flash of colours and textures of the landscape. The horses travel fast but still with grace. You tend to just see shapes of colours.
£800
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By rachel parker VPSWA
oil on canvas
h: 60 w: 76 d: 3 (cms).
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Hilltop Village, Provence by rachel parker VPSWA
Hilltop Village, Provence by rachel parker VPSWA
113 / 224
By rachel parker VPSWA
oil on canvas
h: 50 w: 70 d: 3 (cms).
£850
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By rachel parker VPSWA
oil on canvas
h: 50 w: 40 d: 3 (cms).
£775
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Bred in Captivity, Sheffield Beauties - 1 by Helen A Taylor MA. ASGFA. ASWA
Bred in Captivity, Sheffield Beauties - 1 by Helen A Taylor MA. ASGFA. ASWA
115 / 224
By Helen A Taylor MA. ASGFA. ASWA
Linocut with watercolour
h: 53 w: 38 d: 1 (cms).
Helen Taylor’s work is inspired by well-known botanical and architectural ‘meeting’ places and by her garden. She portrays the plants as they grow in a collection curated by the gardener, in a human-made landscape. ‘Bred in Captivity, Sheffield Beauties’ is inspired by The Palm House at Sheffield Botanical Gardens, a truly beautiful place. Initially Taylor planned only one print, but decided then to make a Triptych, although each print is a standalone artwork, they can be hung together as each image flows into the next. The Palm House is divided into sections so this arrangement echoes the actual planting. An underlying principle of Taylor’s work is ‘What do we have to lose’, with threats to our natural world from changing climate and habitat loss meaning many plants may become ‘Bred in Captivity.’
£375
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By rachel parker VPSWA
oil on canvas
h: 40 w: 40 d: 3 (cms).
£650
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By Christine Roychowdhury
Oil on canvas
h: 180 w: 100 d: 2 (cms).
Although the majority of people that suffer from domestic or sexual abuse are women it is not only women that suffer and as with women it is something which is hidden and insidious within society something which makes the abused feel guilty.Guilty of allowing it guilty of hiding it . I was exploring the idea of abuse and decided to present an unexpected take on the subject using a masculine setting I felt emphasised the need for awareness that abuse has a hidden quality and is found where it isn’t expected.
£3000
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Bred in Captivity- Sheffield Beauties - 2 by Helen A Taylor MA. ASGFA. ASWA
Bred in Captivity- Sheffield Beauties - 2 by Helen A Taylor MA. ASGFA. ASWA
118 / 224
By Helen A Taylor MA. ASGFA. ASWA
Linocut with watercolour
h: 53 w: 38 d: 1 (cms).
Helen Taylor’s work is inspired by well-known botanical and architectural ‘meeting’ places and by her garden. She portrays the plants as they grow in a collection curated by the gardener, in a human-made landscape. ‘Bred in Captivity, Sheffield Beauties’ is inspired by The Palm House at Sheffield Botanical Gardens, a truly beautiful place. Initially Taylor planned only one print, but decided then to make a Triptych, although each print is a standalone artwork, they can be hung together as each image flows into the next. The Palm House is divided into sections so this arrangement echoes the actual planting. An underlying principle of Taylor’s work is ‘What do we have to lose’, with threats to our natural world from changing climate and habitat loss meaning many plants may become ‘Bred in Captivity.’
£375
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Bred in Captivity, Sheffield Beauties - 3 by Helen A Taylor MA. ASGFA. ASWA
Bred in Captivity, Sheffield Beauties - 3 by Helen A Taylor MA. ASGFA. ASWA
119 / 224
By Helen A Taylor MA. ASGFA. ASWA
Linocut with watercolour
h: 53 w: 38 d: 1 (cms).
Helen Taylor’s work is inspired by well-known botanical and architectural ‘meeting’ places and by her garden. She portrays the plants as they grow in a collection curated by the gardener, in a human-made landscape. ‘Bred in Captivity, Sheffield Beauties’ is inspired by The Palm House at Sheffield Botanical Gardens, a truly beautiful place. Initially Taylor planned only one print, but decided then to make a Triptych, although each print is a standalone artwork, they can be hung together as each image flows into the next. The Palm House is divided into sections so this arrangement echoes the actual planting. An underlying principle of Taylor’s work is ‘What do we have to lose’, with threats to our natural world from changing climate and habitat loss meaning many plants may become ‘Bred in Captivity.’
£375
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Construction with blue bottle by katherine reekie
Construction with blue bottle by katherine reekie
120 / 224
By katherine reekie
Oil on canvas
h: 50 w: 60 d: 2 (cms).
Surreal beachscape
£1000
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Construction near Rye refinery by katherine reekie
Construction near Rye refinery by katherine reekie
121 / 224
By katherine reekie
Oil on canvas
h: 50 w: 60 d: 2 (cms).
Surreal beachscape
£1000
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Construction at Rye Harbour by katherine reekie
Construction at Rye Harbour by katherine reekie
122 / 224
By katherine reekie
Oil on canvas
h: 35 w: 60 d: 2 (cms).
Surreal beachscape
£900
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By kaija bulbrook
Mixed media
h: 90 w: 90 d: 2 (cms).
£2200
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By kaija bulbrook
Mixed media
h: 39 w: 39 d: 1 (cms).
£950
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View of Darent Valley by rachel arif SWA MAFA
View of Darent Valley by rachel arif SWA MAFA
125 / 224
By rachel arif SWA MAFA
Oil on Canvas
h: 30 w: 30 d: 2 (cms).
This painting was done mainly en plein air, which is quite unusual for me as I am predominantly studio based. I spent several days in and around the area, the weather was particularly clement so I ended up painting it mostly there and then with few changes in the studio. The clouds had a beautiful pale yellow hue from the sun. It’s one of my slightly ‘sunnier’ works.
£625
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By rachel arif SWA MAFA
Oil on Board
h: 25 w: 20 d: 2 (cms).
The inspiration for this semi abstract piece was taken from a very recent trip to Cap Breton in France. I called it hope as I painted it at the beginning of Spring and the whole of the Landes Coast was starting to show signs of life as was the sun that was trying very hard to appear. The light was wonderful, yet the surf was heavy. It’s very textured and energetic.
£595
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By arabella brooke
bronze
h: 95 w: 35 d: 20 (cms).
£6000
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By pamela stone
water colour
h: 35 w: 69 d: 153 (cms).
I painted this for the Queens Hotel Cheltenham's dining room to stimulate the customers appetite. they had this painting on loan for a year.
£1000
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St Paul's in Perspective by margaret eggleton SWA SGFA
St Paul's in Perspective by margaret eggleton SWA SGFA
129 / 224
By margaret eggleton SWA SGFA
Watercolour
h: 27 w: 27 d: 1 (cms).
this was painted using my own photo reference from Sky Garden on a rainy day.
£525
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LLoyds in Perspective by margaret eggleton SWA SGFA
LLoyds in Perspective by margaret eggleton SWA SGFA
130 / 224
By margaret eggleton SWA SGFA
watercolour
h: 27 w: 27 d: 1 (cms).
This was painted from my own photo reference taken from Sky Garden on a rainy day
£525
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By pamela stone
water colour
h: 74 w: 49 d: 1 (cms).
Drew a sketch of this wonderful young leopard when visiting a zoo on holiday and painted it later in my studio.
£1600
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By chloe harris ASWA
Monoprint
h: 42 w: 29 d: 1 (cms).
Porto Jardins do Palacio amongst orange trees
£350
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By vikky furse SWA
Acrylic and compressed charcoal.
h: 31 w: 21 d: 1 (cms).
Painted on very rough hand-made paper.
£800
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By jane morgan
Bronze Painted
h: 10 w: 21 d: 11 (cms).
Bronze painted in oils, matt lacquer.
£12500
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By jane morgan
Bronze - Painted in oils, matt lacquer.
h: 1 w: 15 d: 12 (cms).
This works considers global consumerism. The artist playfully juxtaposes expectation and representation, in a society where the boundaries of truth and fact become ever more blurred.
£3300
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By vikky furse SWA
Acrylic and compressed charcoal.
h: 31 w: 21 d: 1 (cms).
Painted on heavy hand-made paper.
£800
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By justine lois thorpe
Oil on Board
h: 28 w: 28 d: 1 (cms).
Emotional physical connection with the North West coast Cornwall. working outdoors using oil paint and different medium to give sense of depth and texture.
£595
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By jane morgan
Bronze Painted in oils, lacquered.
h: 8 w: 12 d: 8 (cms).
£5600
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By tessa jane ASWA
Hand painted, screen and block printed papers stitched and pieced together. Poetry typed and written placate and comfort. Acrylic, ink, watercolour, collage and appliqué on found, sourced maps and recycled papers.
h: 49 w: 19 d: 8 (cms).
Part of a series of works. ‘Don’t air your laundry in public’ The miniature dresses celebrate the healing power of nature when dealing with mental health issues. Alzheimers, Multiple Sclerosis and Cancer devastate families.
£425
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By tessa jane ASWA
Hand painted, screen and block printed papers stitched and pieced together. Poetry typed and written placate and comfort. Acrylic, ink, watercolour, collage and appliqué on found, sourced maps and recycled papers.
h: 62 w: 24 d: 14 (cms).
Part of a series of works. ‘Don’t air your laundry in public’ The miniature dresses celebrate the healing power of nature when dealing with mental health issues. Alzheimers, Multiple Sclerosis and Cancer devastate families.
£475
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By tessa jane ASWA
Hand painted, screen and block printed papers stitched and pieced together. Poetry typed and written placate and comfort. Acrylic, ink, watercolour, collage and appliqué on found, sourced maps and recycled papers.
h: 42 w: 18 d: 16 (cms).
Part of a series of works. ‘Don’t air your laundry in public’ The miniature dresses celebrate the healing power of nature when dealing with mental health issues. Alzheimers, Multiple Sclerosis and Cancer devastate families.
£395
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By harriet merry ASWA
Tetrapak print on Ivory Fabriano
h: 30 w: 24 d: 1 (cms).
As I approach my fifties, I find myself drawing my self portrait more and more, perhaps as a way to preserve what I am, or to scrutinise what I am becoming, or even inject a little humour into the frequently alarming ageing process. In doing so I recently turned to to printing with recycled materials such as tetrapak - which breaks up and changes with each print - and found perspex, as an appropriate method to represent a deteriorating self. These prints are taken from observational drawings in front of the mirror; I never use photographs as I am also interested in presenting the picture of myself that I see, and are influenced by artists such as Hockney, Kollwitz and Rembrandt, all of whom I greatly admire and regularly drew themselves from life.
£275
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By harriet merry ASWA
Drypoint on ivory Fabriano paper
h: 35 w: 50 d: 1 (cms).
As I approach my fifties, I find myself drawing my self portrait more and more, perhaps as a way to preserve what I am, or to scrutinise what I am becoming, or even inject a little humour into the frequently alarming ageing process. In doing so I recently turned to recycled materials such as tetrapak - which breaks up and changes with each print - and found perspex, as an appropriate method to represent a deteriorating self. These prints are taken from observational drawings in front of the mirror; I never use photographs as I am also interested in presenting the picture of myself that I see, and are influenced by artists such as Hockney, Kollwitz and Rembrandt, all of whom I greatly admire and regularly drew themselves from life.
£345
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Self Portrait with Tetrapak in Blue by harriet merry ASWA
Self Portrait with Tetrapak in Blue by harriet merry ASWA
144 / 224
By harriet merry ASWA
Tetrapak print on Fabriano paper
h: 25 w: 27 d: 1 (cms).
As I approach my fifties, I find myself drawing my self portrait more and more, perhaps as a way to preserve what I am, or to scrutinise what I am becoming, or even inject a little humour into the frequently alarming ageing process. In doing so I recently turned to recycled materials such as tetrapak - which breaks up and changes with each print - and found perspex, as an appropriate method to represent a deteriorating self. These prints are taken from observational drawings in front of the mirror; I never use photographs as I am also interested in presenting the picture of myself that I see, and are influenced by artists such as Hockney, Kollwitz and Rembrandt, all of whom I greatly admire and regularly drew themselves from life.
£275
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By dani humberstone SWA
Oil
h: 30 w: 30 d: 2 (cms).
£1000
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By dani humberstone SWA
Oil
h: 20 w: 20 d: 2 (cms).
£700
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By dani humberstone SWA
Oil
h: 30 w: 30 d: 2 (cms).
£950
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By jane bridger SWA
Stoneware
h: 25 w: 23 d: 23 (cms).
£460
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Orange Blossom Shards Vessel by jane bridger SWA
Orange Blossom Shards Vessel by jane bridger SWA
149 / 224
By jane bridger SWA
Stoneware
h: 28 w: 15 d: 15 (cms).
£420
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Miniature self portrait in studio by estelle day
Miniature self portrait in studio by estelle day
150 / 224
By estelle day
Oil on wooden board
h: 18 w: 13 d: 1 (cms).
A miniature self portrait painted in my studio in the summer of 2023
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Angel of Forgotten Dreams by helen sinclair MRSS, PSWA
Angel of Forgotten Dreams by helen sinclair MRSS, PSWA
151 / 224
By helen sinclair MRSS, PSWA
Bronze
h: 125 w: 18 d: 14 (cms).
£6750
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By helen sinclair MRSS, PSWA
Bronze
h: 180 w: 28 d: 34 (cms).
£14500
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By helen sinclair MRSS, PSWA
Bronze
h: 59 w: 30 d: 20 (cms).
£3900
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A Song That Echoes by helen sinclair MRSS, PSWA
A Song That Echoes by helen sinclair MRSS, PSWA
154 / 224
By helen sinclair MRSS, PSWA
Stone-resin
h: 114 w: 37 d: 32 (cms).
£4500
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Across the Fields,September Evening by joanne powell RBSA. SWA.
Across the Fields,September Evening by joanne powell RBSA. SWA.
155 / 224
By joanne powell RBSA. SWA.
Oil
h: 41 w: 81 d: 4 (cms).
£950
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By christine taherian
Acrylic + other media
h: 100 w: 100 d: 1 (cms).
£1400.00
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200 Years of the RNLI by dr. linda smith PPSWA
200 Years of the RNLI by dr. linda smith PPSWA
157 / 224
By dr. linda smith PPSWA
Pastels and 24 ct Gold Leaf
h: 40 w: 50 d: 1 (cms).
Celebrating 200 years of the RNLI
£750
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By olivia dunn
Soft pastel and Pastel Pencil
h: 24 w: 27 d: 1 (cms).
£950
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By Soraya French PPSWA SFP
Mixed media
h: 44 w: 66 d: 5 (cms).
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By victoria perloff
Mixed Medium
h: 25 w: 19 d: 1 (cms).
£475
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By Soraya French PPSWA SFP
Mixed media
h: 50 w: 70 d: 5 (cms).
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By ginny page
Oil on panel
h: 28 w: 35 d: 1 (cms).
A recent painting I did during a traumatic time caring for my dear friend who had just been diagnosed with stage 4 cancer. We had several trips to the hospital and in the car park there they had planted the most beautiful tulips! My favourite Rembrandt tulips or "Broken tulips" as they are more commonly known due to their stripey colour mutation .The tulips were fading fast and losing their petals but still incredibly beautiful with their bold stripes and delicate white transparency. I knew i had to paint them so i persuaded my friend to drive back so I could pick just 2 fading blooms. Painting the broken tulips whilst my friend was sleeping gave me some joy in a time of extreme sorrow . These are for her.
£4000
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By Soraya French PPSWA SFP
Mixed media
h: 46 w: 38 d: 5 (cms).
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By olivia dunn
Oil Paint
h: 28 w: 28 d: 1 (cms).
£1150
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Red hot Tulips on Indian cloth by Soraya French PPSWA SFP
Red hot Tulips on Indian cloth by Soraya French PPSWA SFP
165 / 224
By Soraya French PPSWA SFP
Mixed media
h: 43 w: 43 d: 5 (cms).
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By ginny page
Oil on panel and 24 carat gold leaf
h: 27 w: 20 d: 1 (cms).
Study in oils of my favorite tulip commonly known as the Rembrandt or broken tulip - the stripes and subtle colour shifts combined with the unusual curling of the petals is in fact caused by a mutation. These particular tulips symbolised great wealth and beauty as far back as the 15th century and have been a popular motif for many great masters of realism.I painted it on a gilded background to bring out the contrasting colours.
£3200
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By ginny page
Oil on Panel
h: 17 w: 23 d: 1 (cms).
I rescued this poor little mouse from my cat's jaws! It sat so long gaining its strength that I managed to do a quick sketch of him and then later on a study in oils. After a feast of delicious crumbs It eventually ran happily away back into the woods :-)
£2100
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By kate newington
Acrylic on gesso board
h: 60 w: 50 d: 3 (cms).
I used sections from some of my small collage still lifes as reference for this painting. I wanted to paint on gesso board as I like the crisp edges that you can get with paint on gesso – you can achieve a graphic quality and it is also a resistant hard surface (which I prefer to canvas). I have for some years made collages that are so detailed that they look like paintings and with this picture I wanted to reverse that idea by making a painting that looks, in some areas, like collage. I particularly relate to the still life work of West Country artists, past and present, who flatten shapes and experiment with textures, colour, shape and the drawn line (often in still lifes) in a way that combines abstraction with figuration.
£650
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By kate newington
Acrylic on gesso board
h: 60 w: 60 d: 3 (cms).
I used sections from some of my small collage still lifes as reference for this painting. I wanted to paint on gesso board as I like the crisp edges that you can get with paint on gesso – you can achieve a graphic quality and it is also a resistant hard surface (which I prefer to canvas). I have for some years made collages that are so detailed that they look like paintings and with this picture I wanted to reverse that idea by making a painting that looks, in some areas, like collage. I particularly relate to the still life work of West Country artists, past and present, who flatten shapes and experiment with textures, colour, shape and the drawn line (often in still lifes) in a way that combines abstraction with figuration.
£650
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By kate newington
Acrylic on gesso board
h: 26 w: 26 d: 3 (cms).
I used sections from some of my small collage still lifes as reference for this painting. I wanted to paint on gesso board as I like the crisp edges that you can get with paint on gesso – you can achieve a graphic quality, and it is also a resistant hard surface (which I prefer to canvas). I have for some years made collages that are so detailed that they look like paintings and with this picture I wanted to reverse that idea by making a painting that looks, in some areas, like collage. I particularly relate to the still life work of West Country artists, past and present, who flatten shapes and experiment with textures, colour, shape and the drawn line (often in still lifes) in a way that combines abstraction with figuration.
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By arina gordienko
Belgian linen
h: 50 w: 40 d: 3 (cms).
£7500
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By karen stamper
Paper collage and paint on wood
h: 123 w: 64 d: 4 (cms).
£2900
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By karen stamper
Paper collage and paint on wood
h: 104 w: 74 d: 4 (cms).
£2200
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By arina gordienko
Belgian linen
h: 75 w: 60 d: 3 (cms).
£10000
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By luisa holden SWA
Mixed Media
h: 40 w: 40 d: 1 (cms).
Acrylic, watersoluble pencils, charcoal and oil pastel on panel, mounted in an off white wooden tray frame.
£575
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By luisa holden SWA
Mixed Media
h: 40 w: 40 d: 1 (cms).
Acrylic, watersoluble pencils, charcoal and oil pastel on panel, mouted in an off white wooden tray frame.
£575
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Daisy Chained - Hybrid by helen merrigan colfer
Daisy Chained - Hybrid by helen merrigan colfer
177 / 224
By helen merrigan colfer
Resin clay, steel, aluminium, Ink pigments
h: 61 w: 33 d: 24 (cms).
unique hand modeled mixed media sculpture standing on a stainless steel base.
£5800
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By anne mccormack RI
Watercolour
h: 31 w: 31 d: 1 (cms).
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By anne mccormack RI
Watercolour
h: 26 w: 33 d: 1 (cms).
£895
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Shikomi (Preparation). by kate bentley RI RSW
Shikomi (Preparation). by kate bentley RI RSW
180 / 224
By kate bentley RI RSW
Oil on panel
h: 96 w: 56 d: 1 (cms).
Shikomi (Preparation).Oil on panel.56x96cm.74x114cm.£320096
£3200
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By kate bentley RI RSW
Oil on panel
h: 85 w: 60 d: 1 (cms).
£3000
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Kimono Robe by Mother Nature. by kate bentley RI RSW
Kimono Robe by Mother Nature. by kate bentley RI RSW
182 / 224
By kate bentley RI RSW
Mixed Media Collage(Oil ,varnish and Dock Leaves)
h: 75 w: 55 d: 1 (cms).
£3000
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A Pot Full of Cherries by christine russell SWA
A Pot Full of Cherries by christine russell SWA
183 / 224
By christine russell SWA
Pastel on board
h: 16 w: 20 d: 1 (cms).
Still Life
£750
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By christine russell SWA
Pastel on board
h: 19 w: 20 d: 1 (cms).
Still Life
£750
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AN AUDIENCE WITH SLASH - GUNS N` ROSES by sue jelley
AN AUDIENCE WITH SLASH - GUNS N` ROSES by sue jelley
185 / 224
By sue jelley
ACRYLIC & PASTEL
h: 102 w: 76 d: 1 (cms).
This Painting is from Sue`s series Faces and Places of The World - Musicians
£4500
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By christine russell SWA
Pastel on board
h: 20 w: 26 d: 1 (cms).
Still Life
£825
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By arabella brooke
bronze
h: 80 w: 32 d: 32 (cms).
£6000
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Pit-Fired Jug with Apples by christine russell SWA
Pit-Fired Jug with Apples by christine russell SWA
188 / 224
By christine russell SWA
Pastel on board
h: 29 w: 40 d: 1 (cms).
Still Life
£875
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By arabella brooke
bronze on steel
h: 140 w: 30 d: 30 (cms).
£2000
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By julie oldfield
Burnt and weathered copper sheet with oxidation and oil based paint.
h: 49 w: 41 d: 2 (cms).
This painting was created outside in changing weather conditions. Then dried out to form chemical reactions. Then oil based paint, pastel and pen and ink.
£890
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By sue jelley
Acrylic
h: 44 w: 59 d: 1 (cms).
This is from Sue`s Series Faces and Places of the World
£1800
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By sue jelley
Acrylic
h: 58 w: 79 d: 1 (cms).
This is an exploration of architecture in the landscape
£1800
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By julie oldfield
Mixed media on oxidised brass sheet using chemical reaction with oil and water based paints, pastel and charcoal
h: 100 w: 151 d: 20 (cms).
This painting was influenced by the light and colour when travelling in Asia and Mexico. The effects of the weathing in brass gives a textural finish which I work into with material's.
£5800
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By julie oldfield
Burnt copper sheet with a build up of chemicals and paint to form texture
h: 30 w: 30 d: 2 (cms).
This painting was created in my log burner. The trees came through at the top of the painting. I added a texture for ground.
£580
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Keep calm, drink milk I by Sharon Low | Liu Guo Fei SWA
Keep calm, drink milk I by Sharon Low | Liu Guo Fei SWA
195 / 224
By Sharon Low | Liu Guo Fei SWA
linocut on Awagami unryu washi
h: 15 w: 18 d: 1 (cms).
a playful series about drinking milk, an important daily task for most young children
£300
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Keep calm, drink milk II by Sharon Low | Liu Guo Fei SWA
Keep calm, drink milk II by Sharon Low | Liu Guo Fei SWA
196 / 224
By Sharon Low | Liu Guo Fei SWA
linocut on Awagami unryu washi
h: 15 w: 18 d: 1 (cms).
a playful series about drinking milk, an important daily task for most young children
£300
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Keep calm, drink milk III by Sharon Low | Liu Guo Fei SWA
Keep calm, drink milk III by Sharon Low | Liu Guo Fei SWA
197 / 224
By Sharon Low | Liu Guo Fei SWA
linocut on Awagami unryu washi
h: 15 w: 18 d: 1 (cms).
a playful series about drinking milk, an important daily task for most young children
£300
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Socially Enterprising i by anne blankson-hemans SWA
Socially Enterprising i by anne blankson-hemans SWA
198 / 224
By anne blankson-hemans SWA
Oils on board
h: 60 w: 80 d: 1 (cms).
£1850
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Socially Enterprising ii by anne blankson-hemans SWA
Socially Enterprising ii by anne blankson-hemans SWA
199 / 224
By anne blankson-hemans SWA
Oils on Board
h: 60 w: 80 d: 1 (cms).
£1850
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By anne blankson-hemans SWA
Oil On Board
h: 80 w: 60 d: 1 (cms).
£1575
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